Works from the Colección Patricia Phelps de Cisneros’s donation to the Museo Universidad de Navarra in Pamplona, Spain, will be the subject of an exhibition curated by students from the 2021 cohort of the University’s Master in Curatorial Studies. More

The Colección Patricia Phelps de Cisneros and Infrasonica are delighted to present Infrasonica’s latest installment of sonic exploration – Wave #5. More

This text is an excerpt from the book "Tania Bruguera in Conversation with Claire Bishop," published by Fundación Cisneros/Colección Patricia Phelps de Cisneros in 2020. More

Medina demonstrates that the ways in which we perceive and represent space, and define its boundaries, affect how we understand and differentiate ourselves. In this video the Caracas based artist reflects on his ever-evolving practice. More

In this excerpt from the book "Jesús Soto in conversation with Ariel Jiménez," Soto recounts his attempts to translate Schoenberg's twelve-tone technique to the visual arts. More

Compiling the many questions that emerge from the project “Worldmaking Practices: A Take on the Future,” this text is a proposal to plot connections between the diverse provocations assembled in the debate. Moreover, it is an invitation for us to become time travelers, nomads who shoulder many worlds. More

This interview between Venezuelan artist Ángela Bonadies and Chilean artist Paz Errázuriz is the sixth of a series conducted by Bonadies. Her conversations with Latin American visual artists and filmmakers continue the CPPC's tradition of preserving first-hand cultural testimony. More

"Notes for a Horizon-tality: Toward the Possibility of Becoming Together as an Assemblage" is an editorial project that responds to our multiple and seemingly multiplying emergencies More

The following text is an excerpt from the book "Jaime Davidovich in conversation with Daniel R Quiles," published by Fundación Cisneros/Colección Patricia Phelps de Cisneros in 2017. More

Born in Venezuela in 1923, Cruz-Diez traveled in Western Europe throughout the 1950s, absorbing Bauhaus color theory and trends in geometric abstraction. He returned to Venezuela in 1957 to help initiate a massive wave of experimentation in Abstract, Concrete, Op and Kinetic art. More

One of the questions we are most often asked at the CPPC is about where the collection may be seen. Now you can see the location of our artworks on the interactive map we’ve developed to help you follow the collection as it travels the globe! More