Contributors

Sandra Pinardi

She holds a Ph.D. from the Universidad Simón Bolívar (2000); Director of Social Sciences and Humanities at the Universidad Simón Bolívar, and Professor at the Universidad Católica Andres Bello, Caracas, Venezuela. She participated in the creation of the Instituto Universitario de Estudios Superiores de Artes Plásticas Armando Reverón for which she was also Director.

She has published the following books and book chapters:

Reconstructed Identities in Latin America; Spectacle and Fiction in “New World Colors”, edited by Josef Raab. Wissenschaftlicher Verlag Trier, Germany, 2014; Disposiciones políticas de las artes visuales contemporáneas: archivos de la violencia” in “El tránsito vacilante. Miradas sobre la cultura contemporánea venezolana”, edited by Patricia Valladares-Ruiz and Leonora Simonovis. Editions Rodopi, New York, Amsterdam. 2013; La Comprensión del Arte de fin de Siglo, Editorial Espacios Unión, Caracas, Venezuela, 1997; Entre el lugar y la enunciación, in “Testimonios del Siglo XX”, from the Fundación Polar, Caracas, 2000; Espacio de ceguera, espacio no presencial, published by Facultad de Arquitectura y Urbanismo at Universidad Central de Venezuela, 2006; The Desire for Emancipation: Origins and Destiny, in “Alfredo Boulton and his contemporaries: a Critical Dialogue”, Museum of Modern Art. New York, 2008;

La obra de arte moderna: su consolidación y su clausura, published by Editorial Equinoccio, Universidad Simón Bolívar, Caracas, 2010; El hiato de la emancipación, in “La emancipación: 200 años después”, Banesco editores, Caracas, 2011; The Possibility of Genuine Peace, in “Concerning Peace: New Perspective on Utopia,” Cambridge Scholars Publishing, Newcastle upon Thine, 2010; Avila, published with Luis Lizardo and Luis Pérez Oramas, by Sala Mendoza and Carmen Araujo Arte, Caracas, 2012.

She also has several publications in journals in Philosophy, Art and Film.


Participant in Seminario Fundación Cisneros 2014